This is essentially sound design from first principles. There's a good book here: https://www.amazon.com/Designing-Sound-Press-Andy-Farnell/dp/0262014416 Note that the software used (Pure Data) can be replaced by another high-level language (SuperCollider: https://supercollider.github.io/) pretty easily. I know of no "tool" to do what you want because there are few things that are universal to different kinds of... - Source: Hacker News / 11 days ago

Since then, I've been working more and more with TidalCycles. TidalCycles is an open-source live coding framework for creating patterns written in Haskell. TidalCycles uses SuperCollider on the backend, another language I've been using for live coding. Recently, I started using Tidal Looper for live vocal processing. This blog post will walk you through what you need to get started with vocal looping with Tidal... - Source: dev.to / about 2 months ago

Csound is... "interesting". If you want to play with something more modern, have a look at https://supercollider.github.io/ instead. - Source: Hacker News / 10 months ago

For the intrepid, especially those annoyed with the purported input-sluggishness of musescore et al, an interesting text-based alternative is LilyPond https://lilypond.org/ My dad wrote an opera using LilyPond in vim, though I believe these days he's actually doing more with supercollider, which skips sheetmusic and goes right to sounds: https://supercollider.github.io/. - Source: Hacker News / 12 months ago

Weirdly enough,I got into programming through music. I got into making experimental electronic music and ended up learning SuperCollider. Figured I’d have to get a real job at some point and I liked learning Supercollider enough that I figured I should try to go back to school and learn some more useful programming languages. Source: about 1 year ago

Nice to see new art work in browsers! Some comments pointed out that there are latency issues, which are mainly caused by tonejs. I used tonejs a few years ago for my first live coding project: https://quaverseries.web.app/ Interestingly, I also used the same interactive rhythm prompts as op in the page title, but the timing was not accurate at all. Later, in order to refine my idea, I used rust and made... - Source: Hacker News / 25 days ago

My most recommended method for beginners has always been PD (https://puredata.info/) combined with The Theory and Technique of Electronic Music: (https://msp.ucsd.edu/techniques/latest/book.pdf) and this book (https://mitpress.mit.edu/9780262014410/designing-sound/). Eli's tutorials on SuperCollider are also very helpful: https://www.youtube.com/@elifieldsteel Of course, my project Glicol can also be helpful for... - Source: Hacker News / 28 days ago

Nice! Great project website styling and demo. I had a WebGPU scope demo using vanila JS here, but it's not connected to AudioContext at all. https://stackblitz.com/edit/vitejs-vite-cuc9vs Still, I had to use the old WebGL solution for https://glicol.org since the WebGPU support seems to be pretty slow at the moment. - Source: Hacker News / 2 months ago

Suno is great and I already shared its potential back in v2. I have always believed that the essence of digital music is "organized numbers". I think what needs to be thought about is how to use AI in this process. If you look at the results (numbers) generated, then we are indeed very close. But there is another future I believe: I hope AI can compose music with me, like copilot. This is why I keep working on... - Source: Hacker News / 3 months ago

Interesting! Similar note-based expression can be found on TidalCycles/Strudel. Although it's not valid MIDI format anymore, you can use notation like c4, f3, and make them as "pattern". Samples are also supported in the same manner: https://strudel.cc/ And in my project Glicol, I use only numbers in the seq node. So 60 means middle C. Underscore means rest. https://glicol.org/. - Source: Hacker News / 4 months ago