Based on our record, Vital seems to be a lot more popular than Overtone. While we know about 311 links to Vital, we've tracked only 7 mentions of Overtone. We are tracking product recommendations and mentions on various public social media platforms and blogs. They can help you identify which product is more popular and what people think of it.
This was the first subtractive snth I got really into. It's so good! Matt Tytel also made an open source wave table synth called vital that I'm also in love with that you can find here: https://vital.audio/ git repo is here: https://github.com/mtytel/vital. - Source: Hacker News / 7 months ago
Don't forget Vital which is Matt's newer synth. It continues to be open-source as well. https://vital.audio/. - Source: Hacker News / 7 months ago
Good stuff! I started getting in to this at the start of the year. Already had an old, dusty MicroKORG and MIDI interface to use it as a controller, but recently splashed out on a bigger controller as the Korg's tiny keys were hurting me - plus, I wanted something bigger to get better at piano! A couple of free soft synths I'd recommend are Surge XT, and Vital. https://surge-synthesizer.github.io/... - Source: Hacker News / 8 months ago
Serge is great, but Vital whips the llama's ass: https://vital.audio/ There was a time when Sylenth and Serum-quality synthesizers didn't exist for free. Back then, shit like Serge and Helm were really the best you could rely on. Maybe a few free U-HE plugins or your DAW defaults. Today's producers are downright spoiled with so many excellent free options! - Source: Hacker News / 9 months ago
Download Vital Synth from https://vital.audio/ and install it. It usually goes into some VST folder. Then point Reaper (under settings/preferences plugins location) to that folder so it can find it. Source: 12 months ago
> Midi being an “artist” tool places it more as a medium like paint. I’ve used MIDI “as paint”. Written music using code to MIDI(1), and wrote “cross instrument” music, ie using my keyboard as drum machine. But these days MIDI is chiefly an archival method for me. Every time I touch my keyboard is recorded, is much smaller than a comparable audio recording, by design “forced fidelity” in the recording, and I am... - Source: Hacker News / 2 months ago
You might want to look at Overtone, which is a clojure environment built on top of overtone, and which integrates with processing and a few other similar things. https://overtone.github.io/. - Source: Hacker News / over 1 year ago
> I'm fluent in Python but find the use of colons is the real sticking point. The you'd probably have hated its predecessor which was all about the parentheses: https://overtone.github.io/ It's too bad that superficial stuff like which characters you need to type is holding you back. Getting used to Ruby when you're familiar with Python is no big deal. I would just stick with it. - Source: Hacker News / over 1 year ago
There's a project you may find interesting: https://overtone.github.io/. Besides sound/synthesis stuff, it has https://github.com/overtone/midi-clj library, which allows you to write MIDI as lisp (Clojure, to be precise) code. Emacs has great support for Clojure programming (via Cider), and REPL-based development is perfect for writing music. Source: over 1 year ago
Overtone, in clojure and using the SuperCollider engine. Source: about 2 years ago
Surge XT - Open-source subtractive-hybrid synthesizer formerly sold commercially as Vember Audio Surge.
SuperCollider - A real time audio synthesis engine, and an object-oriented programming language specialised for...
Serum - VST for FL Studio, Ableton Live, and many other VST supported DAWs. Heavily utilized in EDM.
Sonic Pi - Sonic Pi is a new kind of instrument for a new generation of musicians. It is simple to learn, powerful enough for live performances and free to download.
ZynAddSubFX - ZynAddSubFX is an open source software synthesizer for Linux, Mac OS X and Microsoft Windows.
ChucK - A strongly-timed music programming language