It's not short, but I was introduced to the concept in a video series on FLOSS Linux audio tools: https://www.youtube.com/watch?v=hdPPPeq82hw&list=PLf_MTToSAxRITjUHgpIPUQTZdGvNQR-0p&index=1 Specifically, you can play with it yourself with a tool like ZynAddSubFX's (https://zynaddsubfx.sourceforge.io/) virtual keyboard, where you can enable microtonal under scale settings and tweak to whatever tuning you want (see... - Source: Hacker News / 4 days ago

I've also used ZynAddSubFX, which is also a very powerful synth, though its interface (at least to me) is a bit of a clusterfuck. You could also try browsing this index of microtonally capable synths on the xenharmonic wiki. Source: about 1 year ago

The code for this can be found here on shadertoy! The audio was made with an Ibanez bass, Guitarix, Hydrogen Drums, ZynaddSubFX and Ardour! Source: over 2 years ago

Here is an additive synth - https://zynaddsubfx.sourceforge.io/. Source: over 2 years ago

There are VSTs for Linux. Surge, Vital, and ZynAddSubFx are three prominent examples, as well as OxeFM, Dexed, and plenty I'm forgetting. Surge and Zyn also come LV2 and DSSI, which are native Linux formats. For those who don't know, the VST3 SDK supports Linux, and is released under GPLv3 by Steinberg. Source: almost 3 years ago

> Midi being an “artist” tool places it more as a medium like paint. I’ve used MIDI “as paint”. Written music using code to MIDI(1), and wrote “cross instrument” music, ie using my keyboard as drum machine. But these days MIDI is chiefly an archival method for me. Every time I touch my keyboard is recorded, is much smaller than a comparable audio recording, by design “forced fidelity” in the recording, and I am... - Source: Hacker News / 2 months ago

You might want to look at Overtone, which is a clojure environment built on top of overtone, and which integrates with processing and a few other similar things. https://overtone.github.io/. - Source: Hacker News / over 1 year ago

> I'm fluent in Python but find the use of colons is the real sticking point. The you'd probably have hated its predecessor which was all about the parentheses: https://overtone.github.io/ It's too bad that superficial stuff like which characters you need to type is holding you back. Getting used to Ruby when you're familiar with Python is no big deal. I would just stick with it. - Source: Hacker News / over 1 year ago

There's a project you may find interesting: https://overtone.github.io/. Besides sound/synthesis stuff, it has https://github.com/overtone/midi-clj library, which allows you to write MIDI as lisp (Clojure, to be precise) code. Emacs has great support for Clojure programming (via Cider), and REPL-based development is perfect for writing music. Source: over 1 year ago

Overtone, in clojure and using the SuperCollider engine. Source: about 2 years ago